furtherfield

Technologies of attunement →



Olga P Massanet and Thomas Aston have built a custom made VLF antenna to monitor ionospheric disturbances caused by solar storms. For this event/workshop they invite makers and thinkers to participate in a creative sprint and come up with ideas on how to make these disturbances felt. Whether it’s a device, a visualisation, a sonification, or a poem, participants will design interfaces to tune into some of the most powerful forces that permeate our world.

In a matter of 5 hours participants will experience what the artists have been through in the past 5 months. In teams, they’ll get to build an antenna, tune it, collect the data and conceive or experiment with actual or possible interfaces to make solar storms ever more tangible!


London Wall N4 featured by Carrol Fletcher →

 25 February - 28 April 2012 (Closed 6-7 April)

Being Social is the opening exhibition at Furtherfield Gallery. Thomson & Craighead are listening to a collective stream of consciousness of people all around Finsbury Park, gathering their Tweets to print out and paste onto the new gallery walls.

Visitors are invited to view art installations, software art, networked performances and to get involved with creative activities to explore how our lives - personal and political - are being shaped by digital technologies. This exhibition brings together artworks by emerging and internationally acclaimed artists: Annie Abrahams, Karen Blissett, Ele Carpenter, Emilie Giles, moddr_ , Liz Sterry and Thomson and Craighead.

furtherfield.org


Year of the Glitch  →

“56.  What makes good glitch art good is that, amidst a seemingly endless flood of images, it maintains a sense of the wilderness within the computer. ” — Hugh S. Manon and Daniel Temkin, “Notes on Glitch”

Year of the Glitch is a 366 day project by Phillip Stearns exploring various manifestations of glitches (intentional and unintentional / staged and found) produced by (digital) electronic systems.

Each day will bring a new image, video or sound file from a range of sources:  prepared digital cameras, video capture devices, electronic displays, scanners, manipulated or corrupted files, skipping CDs, disrupted digital transmissions, etc.

These images are not of broken things, but the unlocking of other worlds latent in the technologies with which we surround ourselves.  Part of what this project is about is approaching the familiar with fresh senses, to turn it into something that is unfamiliar.


Furtherfield featured on We Make Money Not Art →

It might appear that London doesn’t spare much thought for art & technology. The capital doesn’t host any institution specifically dedicated to art & technology, likeFACT in Liverpool. Nor does it have a media art festival with an international reputation such as FutureEverything in Manchester, or the AV Festival in the North East of England.

But look closer, and you’ll realize that there’s no reason to despair: Furtherfield has recently moved to Finsbury Park and has inaugurated its programme of exhibitions with Being Social (i should come back to it soon-ish)…